Now let’s see a studio that has not only been around for
several years, but came into being to provide content for one primary channel.
Cartoon Network Studios
Founded in 1994, the studio was a division of Hanna-Barbera cartoons
(also known as the people who created the "Flinstones," "Scooby Doo" and "Tom and
Jerry") as well as a subsidiary of the Turner Broadcasting System (which now
owns many popular American channels, including Adult Swim and CNN).
Until 1997,
the studio remained merged with Hanna-Barbera, before becoming a separate entity.
The studio created such unique animations as “The Powerpuff Girls,” “Dexter’s
Laboratory,” “Cow and Chicken” and “I am Weasel.”
While much of their work created under the Hanna-Barbera
name can be found on Boomerang, Cartoon Network is the main home for many of
the studios productions (hence the name).
Now free to create many different
style of animation, breaking away from the limited animation Hanna-Barbera is
known for, we were given (deep breath now, this is a long list).
“The Grim adventures of Billy and Mandy,” “Evil con Carne,” “Star
Wars: The Clone Wars,” “Fosters Home for Imaginary Friends,” “Camp Lazlo,” “Ben
10,” “Samurai Jack,” “Adventure Time,” “Regular Show” and “Steven Universe.”
And that’s not even all of them!
I need a lie down.
So as you can see, the studio has clearly earned its stripes
by creating such a large amount of content. But does quantity necessarily equal
quality in this case? Well…yes…I mean, it’s on my list of top 5 influential
companies, that…that was a silly question.
But yes, many of these shows are wonderfully done, and have
a great deal of variety when it comes to story and target audience. “Ben 10” being
more for the younger side, while “Regular Show” boasts a more mature feel.
Well, mature in humour and style anyway.
The animations are incredibly versatile to boot; with “Fosters”
and “Samurai Jack” boasting a cut-out, hand-crafted appearance, with Jack
portraying it in a darker light while Fosters is more childish and bright;
while “Camp Lazlo” and “Grim adventures” are a little more polished, with bold
lines and buggy-eyed characters.
But the main thing I love about this company is its dark,
twisted approach to everything it does. The
character designs are incredibly caricatured and over the top, the worlds are
bizarre and the humour can be especially grim. Everything has a rather…rough
appearance. There are no pretty girls or muscle men (excluding Johnny Bravo!),
it’s mostly children or strange creatures.
This company is the anti Cosgrove Hall to me; while the UK
company gives its characters a sense of believability and realism, Cartoon
Network strives to have its characters defy every law of logic they can. But of
course, in order to keep us watching and to stop the characters from being
random for the sake of random, they establish incredibly detailed worlds and
scenarios which make them acceptable. The tone is light-hearted and fun, so the
creepier moments and mature elements are a welcome surprise, whereas with
Cosgrove, the tone is often darker and more sombre, so it makes sense to have
the characters have a more realistic aura.
When you’re in a world where you know a vampire queen and an
ice king are hanging out in a house practising music, while a human boy and a shape-shifting
dog are outside, it’s a welcome pause from the madness to explore the more emotional
side of the characters. We get a sense of how they are relatable, and that
prevents them from losing the audience by being too farfetched. I believe
Cartoon Network has mastered that balance.
I have to say, this company is the one which speaks to me
the most regarding its style. Sticking to mostly 2D animation, which perfectly
utilizes their limitless characters, and expands the possibilities of insanity
they can achieve. Add frightening imagery and a crazy imagination and you have
yourself one heck of a studio.
So, for the final entry, we’ll be travelling somewhere new
and stopping off at a studio whose name sounds…oddly familiar.
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